In shaping the lumpy mess of the world into an aerodynamic short story, writers need to make choices—whom to follow, what to include, what to exclude, where to look, what to tell the reader and when, etc. And to make these choices, writers ask themselves a series of questions, often subconsciously, that get to the heart of characterization, plot, point of view, conflict, setting—in a word, craft. In this class, we will focus on nine essential questions of craft and examine how they’ve been answered by some of the form’s contemporary masters (including D’Ambrosio, Gaitskill, Lahiri, Saunders, and many more). Through a mixture of discussion, in-class exercises, and workshops, you will understand how every work of fiction, no matter how wild, has a firm foundation—and at the end of ten weeks, you will have your own short story, polished and concise, that will help your reader make sense of the world.
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FICTION 2016-305
About the instructor
DINO ENRIQUE PIACENTINI’S writing has been published in The Massachusetts Review, Toronto Globe & Mail, and Confrontation, among other places. A native Californian, he earned his MFA at the UH Creative Writing Program, where he was an Inprint C. Glenn Cambor/M.D. Anderson Foundation Fellow and also served as Fiction Editor at Gulf Coast. Before coming to Houston, he worked in San Francisco as an arts administrator, freelance writer, and curator. Currently, he teaches creative writing at the University of Houston and is at work on his first novel.
By registering for an Inprint Writers Workshop you are agreeing to Inprint’s registration policies. Remember to sign up for the waiting list if the workshop you would like to take is full. To see the full Fall 2016 workshop schedule click here.